Fake news, fake shoes and social media’s blues

Potter Clarkson's Mark Kramer and Autumn Gibson urge brands to collaborate with social media platforms and online marketplaces on the policing of their most valuable assets
Close up hand holding a mobile phone with a screen of various applications, amazon, just eat, ebay, paypal, spotify

Marc_Stock; Shutterstock

Luxury brands need to have the protection of their cachet at the heart of their business models.  In a sense this statement is circular – a luxury brand instils desire in the marketplace by signifying prestige; the current use of cachet evolved from its original meaning of a symbol or seal to signify the sender’s importance.  However, this circularity reinforces the importance of the brand and the values it conveys in the luxury sector, where brand is everything. 

A Social Shift 

A luxury brand’s need to hold its values tight does not, however, mean that it cannot evolve. Rather, if its use and meaning does not develop, it risks being usurped by rivals and alternatives which suit the zeitgeist better. This challenge is no better demonstrated than by an examination of luxury brands’ social media engagement. 

It took decades for certain luxury brands to enter the high street, and of course some never have. Part of protecting their prestige has been instilling a feeling of expense, scarcity and privilege. To do that they have always been fiercely protective of their trading and retail channels. This logic naturally transferred to online sales and unsurprisingly luxury brands were not early adopters of these sales routes. 

Of course, the early adopters were instead the less reputable market elements – the counterfeiters. Luxury brands’ problems with counterfeiting are perennial and, whilst the forum may have changed, ongoing. For years it seemed that online marketplaces offered counterfeiters a direct route to market with the unofficial blessing of the platform owners. Certainly, the frustration felt by luxury brands as they tried to involve the marketplaces in their seemingly futile attempts to hold back the tide of infringements did occasionally spill over in litigation aimed at eBay, Amazon et al.  

Waking up to Opportunity 

Social media was originally also a medium undervalued by luxury brands. However, the target markets for many luxury brands are immersed in social media, and if luxury brands do not occupy the space, then counterfeiters will. Now that luxury brands have woken up to the opportunities of ‘social’, though, a symbiosis is occurring.  One thing to have triggered their recognising its value has been the success of fashion start-ups that have catapulted into multi-million pound empires using social media, such as online-only retailer Gymshark.  

Luxury brands have realised that their long-established model of building success through association with aspirational figures that encapsulate their brand’s values translates perfectly to social media.  Using celebrities and the modern phenomena of influencers, such as Victoria Magrath (@inthefrow) has helped luxury brands re-populate the space. 

Gucci Steps Up 

Indeed, luxury brands have sought to do more than occupy the space, using social media to take the fight to counterfeiters. Gucci, for example, has subverted the norms of counterfeit culture in a manner suited to social media with its ‘FAKE/NOT’ campaign, which the fashion house describes as a ‘playful commentary on the idea of imitation’ built upon its ‘Guccy’ collection, mocking the obvious errors often displayed on fake goods.   

Of course, luxury brands’ engagement with social media to challenge counterfeiters has also been driven by creative lawyers and IT experts, who can now use tools to scour social media to actively monitor counterfeits.  Unfortunately, the challenges in this global game of whack-a-mole, as infringers and counterfeiters find increasingly sophisticated methods to bypass IP protection measures and avoid detection, can test the patience and budgets of even the most exclusive brands.  

However, this is where social media companies, afraid of having to accept liability for infringers peddling their wares via their platforms, come in, especially as social media sites morph into retail channels. And they are possibly more afraid of luxury brands taking their advertising and retail business away from them (such as when Nike and Birkenstock withdrew their partnerships with Amazon due to lack of control around counterfeits), the likes of Facebook and Amazon now seem to be taking counterfeits seriously. 

From Poacher to Gamekeeper 

Indeed, Facebook and Amazon’s reaction to this pressure has been consolidated in their recent IP reports. Both have three focus areas for tackling counterfeits, which are broadly similar: robust verification and monitoring controls, brand protection tools and holding counterfeiters accountable through the court system and criminal referrals. Notably, Facebook states that partnerships with rightsholders are ‘critical to broader efforts to tackle IP infringement and send a clear signal.’  

So now, as well as vigilantly monitoring social media to detect counterfeit activity and defend IP rights, luxury brands are engaging in dialogue with the big platforms to collaborate in protecting their ever-valuable cachet. And they are taking it further, such as when Gucci recently filed a joint US lawsuit with Facebook against a counterfeit seller using Instagram as a shopfront to market fake luxury items. The seller used sophisticated methods to bypass Instagram’s automated counterfeit detection methods and exploited multiple Instagram accounts to target customers.  

So, looking to the challenge ahead, luxury brands should keep doing what they have always done: 

Maintain a strong IP portfolio including registered trademarks, designs and copyright protection; 

Introduce anti-counterfeiting mechanisms such as specific, unseen, features or digital tags, which allow for the quick detection of counterfeit goods; and  

Engage in robust monitoring and enforcement online. 

Mark Kramer, is a partner and IP solicitor and Autumn Gibson is a trainee solicitor at intellectual property firm Potter Clarkson 

 

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