Brazil

Brazil

Law Over Borders Comparative Guide: Fashion Law Guide

31 Mar 2026
Fashion Law Guide Fashion Law Guide

The Brazilian fashion industry generates around 1.34 million jobs and has the fourth largest textile industry in the world. In 2024, the textile and apparel industry recorded revenues of approximately USD 40.8 billion. In foreign trade, the sector totaled USD 908 million in exports and USD 6.6 billion in imports. Compared to the previous year, import volumes increased by 20.8%, while exports declined by 3.8%. However, imports of clothing grew by 21.4%, with the largest share coming from China (www.abit.org.br/noticias/industria-textil-e-de-confeccao-aumentou-a-producao-e-gerou-30-mil-empregos-em-2024). Such growing relevance is not a coincidence, considering that multinational clothing companies such as H&M have announced plans to open several stores in Brazil in 2025 (ffw.uol.com.br/noticias/moda/hm-chega-ao-brasil-em-2025).

The perception of Brazil’s relevance in the global fashion industry continues to grow steadily and can be evidently seen not only by popular digital retail brands, such as SHEIN (www.fashionatingworld.com/new1-2/brazil-set-to-be-fast-fashion-s-new-love-with-brands-increasing-latin-american-footprint), but also by luxury and high-fashion houses. Notable examples include the initiatives of TIFFANY and the LVMH Group, both of which are expanding their focus and presence in Brazil and seeing the country as a relevant market for luxury goods (www.linkedin.com/pulse/brazil-luxury-clothing-market-outlook-2026-2033-bmlac).

This vision is extremely important, as it demonstrates how Brazil is increasingly being recognized by companies and major brands as an export hub for the entire Latin America and South America region.

The Brazilian market is innovative and in step with global trends. Sustainability has allowed more handmade products and brands to appear in the market but, equally, technology is present throughout the whole supply chain and marketing, from non-fungible tokens (NFTs) to social media. Instagram is used by 65% of users to shop and discover fashion brands (www.oglobo.globo.com/patrocinado/dino/noticia/2023/06/setor-de-moda-e-vestuario-cresceu-38-em-2022.ghtml).

Many legal and social challenges within the productive chain are still faced in Brazil, such as the informality of workers, of the distribution chains or tax aspects. However, it is undeniable that Brazilian creativity and strong cultural identity contributes to placing Brazil in the leading markets connected with worldwide brands (Natura is an example of this importance). Brazil is a leading country in beachwear and denim economies. Designer brands such as FARM and PatBO are great examples of labels that are already pursuing international expansion, while bringing forward very Brazilian narratives and culture in fashion. A clear example of this is Beyoncé wearing an outfit by PatBO (www.world.patbo.com.br/conteudo/beyonce-e-patbo-por-tras-dos-bastidores), or the opening of several international Farm Rio stores throughout the United States and Europe (https://br.fashionnetwork.com/news/Farm-rio-continua-expansao-na-america-do-norte-e-inaugura-nova-loja-no-brooklyn,1678243.html).

Fashion law in Brazil is interdisciplinary and transversal, touching many areas of the law, not only intellectual property or trademarks — consumer, labor, contractual, tax, corporate, advertising and even environmental law are also often involved.

1.1 Summary of IPRs

IPRDurationTime and modalities for grantPros and cons in the fashion sector
Trademarks10 years (renewable for equal periods of time).It can take 12–18 months to obtain a registration. Trademarks can be filed locally or through the Madrid Protocol.

Pros:

  • Unlimited time of protection, as long as it keeps renewing.
  • Strong and exclusive protection and ideal for brand names and logos.
  • This registration can be of regular marks, tridimensional marks or slogans.
  • Secondary meaning is now accepted, while famous marks have special status and position trademarks are now regulated.
  • Eco-friendly applications have priority in the examination.

Con: Often difficult examination if non-traditional or fashion items.

Design15 years (5 years and extendable up to 3 times).It can take approximately 6 months to obtain the registration, which does not include substantive examination. It must be filed through the Brazilian Patent and Trademark Office (PTO). Recently, Brazil has officially joined the Hague Agreement. This international treaty allows applicants to seek protection for industrial designs in multiple countries through a single international application, simplifying procedures and reducing costs.

Pros:

  • Fast examination and not substantive.
  •  Ideal to protect aesthetic features.

Con: Novelty requirement establishes that disclosure cannot be more than 6 months.

Trade secretsUnlimited protection as long as they remain secret.Automatic. Trade secrets are regulated through contracts and unfair competition rules — any confidential information that is useful in the industry and when providing the service.

Pro: The right to exploit the technology/invention lasts for unlimited time.

Con: If it is disclosed, it is no longer protected by trade secrets.

 

Domain names1 year (renewable for many periods).Domain names must be purchased through official channels, and the grant is automatic after the purchase.

Pros:

  • Additional asset to strengthen the brand and make viable the online business.
  •  Very useful with consumers and reinforces reputation.

Cons:

  • Availability of several similar domains that could attempt to be associated with the brand.
  • Only Brazilian entities can own domain name registrations.
Patents15 years (utility models) to 20 years (inventions) (non-renewable).

It can take 4–6 years to grant a patent. With priority examination, it can take 1 year to be granted. Applicable situations for the fashion industry are, among others:

  • sustainable technologies;
  • technology available in the market;
  • inventions that are being counterfeited; and
  • patents granted in a partnered country.

Pros:

  • Strong protection and exclusive right to explore the patent.
  • Good option for tech wearables and materials.
  • Eco-friendly inventions have priority in patent examination.

Cons:

  • The administrative procedure takes a long time.
  • The requirements of novelty and inventive step are difficult for most fashion goods.
CopyrightFrom the creation of the work to 70 years after the death of the author.Automatic. Grants exclusivity over original works that are materially supported or expressed in the artistic, literary, and scientific field, although copyright registration is not mandatory.

Pros:

  • Long protection for artistic creations, such as fabrics and textures, prints, and photography.
  •  Alternative mechanisms for copyright registrations or creation certification, such as time stamping, through blockchain platforms, are becoming more common.

Cons: Fashion items are not usually considered protectable by copyright.

 

The fashion industry can find great tools within Brazilian legislation to protect and enforce IPRs. Industrial Property Law (9.279/96) or Copyright Law (9.610/98) are able to protect intangible investments as well as the creative market. Both are compliant with the minimum standards of the Trade-Related Aspects of Intellectual Property Rights Agreement (TRIPs), which creates a fairly reasonable environment to face counterfeiting and piracy. Brazilian legislation also protects innovation and investments in the fashion industry against free riders.

Industrial Property Law (Law no. 9.279/96) sets the rules for trademark protection, which is valid for 10 years from the grant date, and renewable for equal periods of time. Registered marks must be used in the country, and the owner can begin the use in Brazil within five years from the grant date. Use cannot be discontinued for more than five years, otherwise, the mark can be cancelled for non-use.

Under Article 122, trademarks are required to be visually perceptible, distinctive, and lawful. Therefore, some non-traditional trademarks, such as sound, smell, and taste, are not visually perceptible and cannot be registered in Brazil. If the non-traditional trademark meets the visually perceptible requirement, it is possible for it to be registered (3D trademarks or position marks, for example, if dissociated from their necessary forms).

Color marks. Individual colors cannot be registered according to Article 124, VIII of the Industrial Property Law. If the color is combined with others or arranged distinctively, the color mark might be accepted by the Brazilian PTO. However, since now it is possible to request the recognition of secondary meaning (or acquired distinctiveness) for a trademark in the country, this recognition may, in certain cases, extend to colors or combinations of colors, provided there is substantial public recognition linking those elements to a single commercial origin. This new development allows applicants to demonstrate that a sign, although originally non-distinctive, has acquired distinctiveness through extensive and consistent use in the market.

Black and white marks. Black and white marks or grayscale can be protected. This option is the most recommended alternative for marks for which the owner does not want to claim a color. Furthermore, the protection is broader compared to marks that claimed color.

Pattern marks. If the pattern is distinctive, it can be registered as a device or a figurative mark. The pattern must have distinctive character within its class (secondary meaning).

Shape marks. If the shape mark is not common or a necessary shape for the object, it can be registered as a 3D or figurative trademark.

Made in. Indústria Brasileira (Made in Brazil) must be present in manufactured products originally from Brazil (Decree no. 7.212/10). The wording needs to be clear and visible in the packaging.

Famous marks. In Brazil, it is possible to obtain a specific recognition of a trademark as a “famous mark”, which grants enhanced protection across all classes of goods and services, regardless of the classes for which the mark was originally registered. This recognition is granted by the Brazilian PTO through a dedicated administrative proceeding, upon submission of robust evidence demonstrating the mark’s reputation, distinctiveness, and widespread recognition among the general public. Once approved, this status ensures broader exclusivity and safeguards against dilution or unfair advantage taken by third parties. This recognition is extremely important for a company, especially for those in the fashion and luxury markets, given their exclusivity among consumers, and extensive public exposure. It not only reinforces the prestige and distinctiveness of such brands but also provides stronger protection against potential infringers. Some of the marks that have already obtained this recognition in Brazil include Nike, Lacoste, Rolex, Vogue, and Chanel.

Position marks. A new legislation on position marks came into force at the end of 2021.

According to the Brazilian PTO’s guidelines, a position mark is the application of a sign in a singular and specific position on a given medium, which will become a distinctive set. The analysis of distinctiveness is made based on the combination of sign plus position. Besides the sign being distinctive, the position should also be singular to provide distinctiveness to the mark.

The first decisions on position marks were issued in April 2023. As of January 2024, only one registration has been granted, while 57 received a refusal decision. Most of the decisions so far have been based on Article 122 (visually perceptible, distinct, and lawful).

The protection for designs applies to 2D and 3D works that are:

  • manufactured on an industrial scale;
  • visually new and original; and/or
  • in plastic form or an ornamental set of lines and colors.

Hence, some fashion items that can be protected by designs are prints, jewelry, handbags, decorations, and footwear. These requirements are set in the Industrial Property Law (Article 95).

Specifically for clothing, the requirement for originality and novelty is an obstacle for most designs. However, if the design is filed to protect only the distinctive aesthetic parts of it, such as fasteners or even zippers, the Brazilian PTO might accept it for registration. It is important to say that the Brazilian PTO does not proceed automatically with examination of the design. If requested by the owner, the Brazilian PTO will examine the novelty and originality of the design (Article 111, Industrial Property Law).

Design protection is limited to 15 years (five years and extendable up to three times) and items that were disclosed more than six months from the application date cannot be protected through design because they lack novelty. Unlike EU countries, Brazil does not have unregistered design rights, but this protection can overlap with copyright protection if the item can be perceived to have both aesthetic and artistic value.

Copyright is regulated by Law no. 9.610/98, which grants exclusivity over original works that are materially supported or expressed in the artistic, literary, and scientific field. The protection extends from the creation of the work to 70 years after the death of the author.

Although the Copyright Law does not have a closed list of protected works, most court rulings and doctrine consider fashion goods as functional and not protected by copyright. Some fashion-related creations can be protected because of their artistic nature, such as fabrics and textures, prints, and photography.

An exception is made for works of applied arts that can have dual protection (design and copyright). A ground-breaking court ruling in Brazil recognized that the Birkin bag (from Hermès) was protected by copyright (as it was considered a piece of art), the defendant’s products infringed copyright, and the sales were an act of unfair competition (Tribunal de Justiça de São Paulo, Case No. 2016.0000585133). Several additional cases concerning the application of copyright principles to fashion-related works are under judicial scrutiny on a case-by-case basis. According to this leading case, most fashion collections are based on trends and are not considered artistic work. On the other hand, iconic and lasting fashion goods can be artistic work — the Birkin bag, for example, was considered an iconic product. In the world of fashion, accessories and articles are considered artistic. Therefore, the Birkin bag had artistic value because consumers did not buy or use it because of its functionality, but due to its artistic design, which was protected by copyright.

Traditional knowledge and expertise of certain regions are protected through geographical indications (GIs). Documents that may be required are the technical specifications and the territory that the GI delimits. In addition to the required documents, foreign applicants must have obtained registration in their country of origin or recognition by an international institution.

The supply chain of fashion products is complex and, for some fashion companies, it is easier to find specialized industrial factories to assist in the manufacturing. Brazil has many factories that assist the domestic and international fashion industry, with significant presence in denim, textile, and footwear manufacturing. In 2024, Brazil was ranked the fifth largest manufacturer and consumer of denim worldwide, and the fourth largest producer of knitwear (www.abit.org.br/cont/perfil-do-setor).

License agreements

License agreements allow rights owners to grant use of their IPRs to a third party. Licenses have a maximum royalty percentage according to the IPR (1% for trademarks, according to Rule 436/58 of the Ministry of Finance, if the new transfer price law in 2023 is not adopted). The new transfer price law no. 14,596/23 provides for more flexible regulation on recordation of license contracts from January 1, 2024.

Once the new law enters into force, the registration of technology transfer contracts, including licenses, before the Brazilian PTO will no longer be required for tax deductibility purposes.

However, the procedure of registration with the Brazilian PTO will be maintained and can be useful to achieve the effects of:

  • setting the agreement to erga omnes status, making its obligations owed toward all; and
  • obtaining the Brazilian PTO’s endorsement on the classification of the contract and establishing a presumption of non-violation of the economic order (despite the tax deductibility effect, while the new Transfer Pricing rules are not in force).

Non-disclosure agreements (NDAs)

License agreements usually include a non-disclosure clause to keep information and know-how confidential. However, there can also be a separate agreement, secondary to the main contract. For the purposes of an NDA, confidential information is defined as information not available to the public and consumers in general. In any case, the agreement must specify what is confidential information and limit who can have access. In Brazil, non-disclosure clauses and agreements usually establish a timeframe of a maximum of five years after the end of the agreement. For patent licenses or secret technology this period can be longer.

Subcontract agreements with suppliers/in-house manufacturing

Subcontract agreements allow the contractor to assign some of the obligations from the supply chain or to receive raw material for the manufacture of products or provide services. These agreements should establish how, when and where the products or services will be supplied, as well as quality factors, which bind both parties. In cases of breach of contract, penalties can include material and moral damages on top of the investment and the expected profit.

There must be an IPR license clause if the contract involves IPRs from the contractor.

Several different types of contract can be used for fashion product distribution, including direct distribution or agents’ distribution.

Agency agreement

Through an agency agreement, the agent carries on business and sells goods on a regular basis in exchange for a fee. The contract must determine the geographical area and effective period in which the agent will act on behalf of another party (principal), according to Article 710 of the Brazilian Civil Code.

Essential clauses that should be included in an agency agreement are:

  • An exclusivity clause, establishing:
    • if the agent will be the only distributor; and
    • if the agent can only distribute for the principal.
  • A clause with minimum quality and performance criteria for the agent when selling the products, which also defines a quality standard when providing customer service and technical assistance.
  • An IP license clause, stating whether the use of the mark is authorized in stores, layouts, and advertisements, as well as prohibiting the filing of a similar trademark and having a competing business to the principal.
  • A common practice is the provision by the principal, at no cost, of advertising material for the products, which is usually the only advertising that may be carried out and is done to maintain the brand’s reputation.

According to Brazilian Civil Law (Articles 714–718), the agent has the right to the agreed value even when the sales are made by the principal or a third party, if made in the same zone or in case the principal terminates the relationship without fair reason. In case of breach of contract, possible sanctions include a penalty based on a percentage of the annual revenue received from sales, plus any cumulative material and moral damages suffered by the agent.

Selective distribution online in high-end fashion and trademark protection

Selective distribution is not common in Brazil. Given that this is not common practice in Brazil, selective distribution agreements follow the same principles as general distribution contracts, with further restrictions and criteria for selecting the distributors that are commonly regulated in the applicable legislation.

Co-branding and co-marketing

Co-branding agreements are common when designers or two brands collaborate to launch a new collection with the same purpose: to expand the consumer range. These collaborations allow brands to become known in unfamiliar markets.

Because of their similar structures and their common objective of allowing the commercial use of trademarks, co-branding agreements are modelled on license agreements. Both parties must authorize the use of the trademarks and follow the rules on deductibility and royalty remittance, or must choose payments based on sales or alternative arrangements.

A unique characteristic of co-branding is that, even with a license, the parties are free to use their trademarks as usual and create agreements with other parties, without breaching this first agreement. The scope of the agreement should be restricted to ensure any use does not conflict with other contracts either of the brands might have.

Important clauses establish the obligations of each brand, including who will manufacture, who will commercialize and by which channels.

Franchising and alternative sales model agreements

Brazil has a specific franchising law — Law no. 13.966 from December 26, 2019. Before entering into a franchising agreement, the franchisor must provide a Franchise Offer Circular, a disclosure document with specific information regarding the agreement at least 10 days before the execution of the contract.

The Franchise Offer Circular is an essential document because it must contain all details and obligations of the agreement, including the outline of the business, financial information of the franchisor, exclusivity, know-how, IP involved, among others.

International franchising agreements must follow similar rules of licensing and be recorded at the Brazilian PTO for deductibility and royalties.

Alternative models of sales, such as pop-up stores, which are very popular for testing the chances of a brand in a certain region, include rental agreements, which have peculiarities, such as a shorter period of time and less bureaucracy.

Advertising in the fashion industry has been transformed by the advent of social media; although Instagram is still important for fashion companies, TikTok has taken the world by storm. Moreover, digital fashion has grown substantially over the last years, with developments in the metaverse and the use of artificial intelligence.

Employing fashion models

There is no specific legislation for employing fashion models. The applicable law is Law no. 6.533/78, which regulates the professions of artists and show technicians, and the Decree-law no. 5.452/43 (Consolidation of Labor laws). Even when models are employed through agencies, a specific agreement or declaration should be made with the model, authorizing the use of their image. The agreement should define how and where the image will be used as well as the extent of its promotion. Image, voice, name and nicknames are personality rights and are protected by the Brazilian Federal Constitution. All contracts must be interpreted restrictively; anything that is not licensed or provided by the individual cannot be interpreted extensively.

In the case of virtual fashion shows (internationally referred to as “virtual runways”), compliance with the General Data Protection Law ((LGPD) Law No. 13,709/2018), the Brazilian Internet Civil Framework ((MCI) Law No. 12,965/2014), and the rights of image and voice (all protected under human dignity principles, as enshrined in the Federal Constitution and Civil Code) must be ensured. Compliance also encompasses copyright issues concerning the creation of avatars (graphic and audiovisual design) and related rights for the production of virtual shows, in accordance with the Copyright Law (LDA) Law No. 9,610/1998).

Social media, influencers and brand ambassadors/celebrities

When drafting agreements with influencers and brand ambassadors, the parties should consider the following special clauses for this relationship:

  • IPRs clause. The sponsor must clarify how the image of the brand ambassador or influencer will be used and for what period of time, and whether the copyright remains with the sponsor or the influencer. Moreover, the purpose of the promotion should be clearly outlined to avoid issues with copyright infringement.
  • Conduct clause. This outlines certain types of conduct, which, if exhibited by the influencer during the period of the relationship, could damage the image of the brand and its products. Usually, such behaviors are related to involvement in lawsuits or social scandals. The clause can last for the whole period of the contract and even for a period after the contracted has ended.
  • Exclusivity clause. This clause specifies that the influencer or ambassador must be exclusive to the brand for a certain period, during which they may not work with similar brands in the field or with competitors. Exclusivity clauses might require additional compensation because this restricts the work of influencers.

In addition to the clauses and requirements above, contracts with influencers and social media posts must follow the guidelines for influencers issued by the Brazilian Advertising Self-Regulation Council (CONAR) on December 8, 2020. An important requirement is that all posts include hashtags that identify the post as an advertisement, such as “#publi”, “#publicidade”, “#publipost”, otherwise sanctions are likely to be imposed.

Advertising standards, relevant authorities and advertising practice

CONAR has its own guidelines (the Brazilian Advertising Self-Regulation Code (CBAP)). Although CBAP is not a government regulation/federal law that must be enforced, its guidelines are widely adhered to by advertisers, fashion houses, agencies, and influencers across all media. The set of guidelines relevant to fashion houses is Annex U, which concerns sustainability affirmations and environmental responsibilities of companies.

Any company claiming to have sustainable practices must have implemented these beforehand, and their authenticity must be verifiable. If the practices are planned for the future, this information should be clear in any advertisement.

E-commerce regulations in Brazil include the Consumer Protection Law (8.078/90), the Civil Code, the E-commerce normative act (7.962/13), the LGPD (13.709/18) and the MCI (12,965/14).

The Data Protection Law came into effect quite recently in Brazil, therefore, companies are changing their internal and external data policies to adapt to this law in a process comparable to the GDPR transition in Europe. In their e-commerce, fashion companies should provide a clear, transparent, and objective privacy policy, to protect consumers and data owners.

Consumer data cannot be used for purposes other than those authorized. Having a clear consent management strategy, with choices to “opt in” and “opt out”, can avoid several issues with consumers (Articles 7 and 11, LGPD).

Consumer protection is regulated by Law no. 8.078/90. This law, together with Decree no. 7.962/13, rules every aspect of consumers’ rights in both physical and online settings.

E-commerce must ensure that a customer service and a communication channel are available to consumers (Article 17, Law no. 8.078/90 and Article 4, Decree no. 7.962/13), including on social media platforms. The channel must be available for consumers who want to change their privacy settings or cancel consent and access to their data.

Both these regulations require that descriptions of products, information, and pictures accurately reflect the actual product. Otherwise, the advertisements may be considered misleading or providing false information, which are unlawful acts that may entitle consumers to compensation.

Online shopping is governed by a specific rule that any purchase may be returned within seven days without reason by the consumer (Article 49, Law no. 8.078/90).

Stores’ architectural projects are protected by Copyright Law (Article 7, X). Online retailers can protect their code-font through the Software Law (Law no. 9.609/98), and may also use copyright and trademark protection for icons, as in the case of apps.

Trade dress protection is also available for both physical and online stores. This is designed to prevent unfair competition and is included in the Industrial Property Law. Trade dress refers to the appearance and specific characteristics of a product or the commercial establishment, and includes all aspects, from color to style and layout.

The downside of trade dress protection is that it can only be claimed and declared through court action. However, Brazilian courts recognize the protection of store layouts through trade dress, such as in the leading case of the footwear store Mr. Cat v. Mr. Foot (4th Civil Court of Goiania, no. 1101/97, between Calypso Bay Arrendamento de Marcas Patentes Ltda. X Vipi Modas Ltda e Calçados Pina Ltda).

The regulation applicable to unfair competition is Article 195 of the Industrial Property Law (Law no. 9.279/96). Several dishonest trade practices are exemplified in the Article as acts of unfair competition, such as:

  • Acts that bring confusion or association for consumers between products, services, or establishments from different businesses to mislead consumers.
  • Acts that try to harm the reputation of the business, including revealing trade secrets and releasing false information.

The imminent risk of damage is sufficient for evidence of acts of unfair competition. Claims of unfair competition are often seen in the fashion industry, where there is limited protection for fashion goods.

Lolitta, a Brazilian clothing brand, was successful in a court action to stop the sales of products infringing on its well-known clothing designs. The courts recognized that even though, in general, clothing does not have protection through copyright or trademarks, the creative process of the designers should be recognized and unfair competition applied considering the reputation of the brand and the characteristics of the clothing (State Court of São Paulo, no. 1066278-93.2019.8.26.0100, between Lolita Zurita Hannud and Malharia E Confecções Rosana Zurita Ltda X Confecções Esmeral Ltda).

The topic of ESG has become especially relevant for the fashion industry over the past few years, with consumers pressuring businesses to position themselves and be transparent about their supply chain and have clear conduct on sustainability and governance.

Brazil has a few regulations that relate to ESG, including those highlighted below:

  • Resolution 59/2021 from CVM, which establishes that listed companies must provide information on several areas of ESG.
  • The National Policy of Payment for Environmental Services (Law no. 14.119/2021).
  • The National Policy for Solid Residues (Law no. 12.305/2010).
  • Environmental Criminal law (Law no. 9.605/1998).

As mentioned above, consumer regulation requires that companies are transparent with consumers and provide accurate information about their products. This also extends to the supply chain and whether the production process is ethical and sustainable.

One way in which fashion companies can be transparent is to obtain a sustainability certification. Several international certifications are recognized in Brazil, such as Certified B Corporation, Bluesign, PETA and Credle to Cradle, as well as national certifications, such as ABR for cotton and Selo Qual, a certification for sustainable and quality standards targeted at the textile industry, and JEANS DO BRASIL, for denim manufactured in Brazil.

In Brazil, ISO certifications are also recognized. ISO 14000, for example, measures the international standards related to the environmental management of companies.

Certification and collective marks can identify products or services associated with specific entities or their compliance with certain standards, including sustainability. These marks must be filed with the regulations of the owners or the applicable certification standards. Only applicants with no direct commercial or industrial interest in the product or service can apply for certification marks (Article 128, section 3).

Customs monitoring in Brazil requires a close relationship and non-stop dialogue with official anti-counterfeiting agencies and the Internal Revenue Service, which is the main authority when it comes to anti-counterfeit measures.

Rights owners can register their trademarks in the National Trademark Owners Directory created by the Brazilian PTO. The directory allows authorities to access those trademarks that often are counterfeited (www.gov.br/inpi/pt-br/projetos-institucionais/combate-a-falsificacao-de-marcas).

Border measures are available to assist in the control of counterfeited products arriving in the country. Usually, The Customs department begins with a sampling process because of Brazil’s extensive border. If Customs suspect that the products are counterfeited, these are retained for inspection. Although retention is mainly done through the sampling process ex officio by Customs, rights owners can request to retain certain products if there is evidence of IPR infringement. Once the counterfeited products are retained, the rights holder or its legal representative will be contacted to collect the samples and confirm in 10 working days whether the products are counterfeited.

There are two available measures once the products are confirmed to be counterfeited: the customs administrative procedure and judicial remedy.

In case of counterfeited products in the online market, claims must be brought to civil and criminal state courts and, in some cases, to federal courts with clear evidence of the connection between the counterfeited products and the defendant.

We found third parties incorporating our brand and trade dress in their domain name and websites. Which is the most useful tool?

Brazil has a practical system for filing complaints against domain names. The Chamber for Dispute Resolution Relating to Domain Names within the Center for Dispute Resolution, Mediation and Arbitration in Intellectual Property (CSD-ABPI) (www.csd-abpi.org.br) functions to solve any dispute related to .br domain names. Their procedure is straightforward and closely aligned with World Intellectual Property Organization procedures recognizing bad-faith practices.

This procedure allows the plaintiff to cancel the domain name or request its transfer. Bad faith must be evidenced, but in certain cases, the status of well-known marks and presence worldwide can suffice alone.

How are digital products being protected in Brazil?

Digital products, such as NFTs, have been using a rationale similar to that used for their physical products. Since there have been few cases so far, many companies are using traditional ways of protecting their products — through trademark, design or claim as copyright, if required. Classes 09, 38, 35 and 42 are usually chosen to extend trademark rights and represent the “downloadable” digital products.

However, considering the intricacies of these products, including hashes and codes, other types of protections should be considered, such as using blockchain in order to validate and certificate the origin and date of creation. The Brazilian courts have already recognized this kind of tamper-proof mechanism as a means of certifying intangible assets.

Does Brazil have any antidumping measures?

Brazil has Decree no. 8,058/13, which is the legal framework for antidumping proceedings. The procedure starts with an investigation to check whether the case qualifies as dumping and must be concluded in 10 months. After that, it will begin the procedure for verifying and applying antidumping measures.

Antidumping is an extremely helpful measure to battle unfair competition in exportation/importation cases.